The Art of Teaching Japanese
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Reggio Emilia approach

The Reggio Emilia Approach is an educational philosophy based on the image of the child, and of human beings, as possessing strong potentials for development and as a subject of rights who learns and grows in the relationships with others.

REGGIO CHILDRE

Invece il cento c'è

Il bambino
è fatto di cento.

Il bambino ha
cento lingue
cento mani
cento pensieri
cento modi di pensare
di giocare e di parlare

cento sempre cento
modi di ascoltare
di stupire di amare
cento allegrie
per cantare e capire

cento mondi
da scoprire
cento mondi
da inventare
cento mondi
da sognare.

Il bambino ha
cento lingue
(e poi cento cento cento)
ma gliene rubano novantanove.

La scuola e la cultura
gli separano la testa dal corpo.

Gli dicono:
di pensare senza mani
di fare senza testa
di ascoltare e di non parlare
di capire senza allegrie
di amare e di stupirsi
solo a Pasqua e a Natale.

Gli dicono:
di scoprire il mondo che già c’è
e di cento
gliene rubano novantanove.

Gli dicono:
che il gioco e il lavoro
la realtà e la fantasia
la scienza e l’immaginazione
il cielo e la terra
la ragione e il sogno
sono cose
che non stanno insieme.

Gli dicono insomma
che il cento non c’è.
Il bambino dice:
invece il cento c’è.


 Loris Malaguzzi

No way. The hundred is there.

The child is 
made of one hundred.

The child has 
a hundred languages
a hundred hands
a hundred thoughts
a hundred ways of thinking 

of playing, of speaking.

A hundred always a hundred
ways of listening
of marveling, of loving
a hundred joys
for singing and understanding


a hundred worlds
to discover
a hundred worlds
to invent
a hundred worlds 
to dream.


The Child has 
a hundred languages
(and a hundred hundred hundred more)
but they steal ninety-nine.
The school and the culture 

separate the head from the body.

They tell the child:
to think without hands
to do without head
to listen and not to speak
to understand without joy
to love and to marvel
only at Easter and Christmas.


They tell the child:
to discover the world already there
and of the hundred
they steal ninety-nine.

They tell the child: 
that work and play 
reality and fantasy 
science and imagination
sky an earth
reason and dream
are things
that do not belong together.

And thus they tell the child
that the hundred is not there.
The child says: 
No way. The hundred is there.

 Loris Malaguzzi
 (translated by Lella Gandini)
クリエイティブ・コモンズ・ライセンス
The Art of Teaching Japanese by Hiromi Hosoi is licensed under a Creative Commons 表示 - 非営利 - 継承 3.0 非移植 License.
  • HOME
    • TfU Framework
  • Personalized E-learning
  • Age 4-9
    • K4
    • K5
    • G1
    • G3
    • G4
    • Resources >
      • Books
      • Songs >
        • おともだち
        • おはなしゆびさん
        • コブタヌキツネコ
        • パンダ うさぎ コアラ
        • いぬのおまわりさん
        • かたつむり
        • にんじん・ごぼう・だいこん
        • かたたたき
        • てをたたきましょう
        • カレーライスのうた
        • かずのうた
      • Videos
      • Links >
        • KANA
        • KANJI
        • KOTOBA
        • BUNKA
  • A to Z
    • A-H >
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    • I-P >
      • Infographics
      • Ladder of Feedback
      • Publishing Online
      • Project Zero Classroom
    • Q-Z >
      • Reggio Emilia approach
      • Thinking Routines >
        • 3-2-1 BRIDGE >
          • Students 321
        • CSI
        • CIRCLE OF VIEWPOINTS
        • GENERATE, SORT, CONNECT, ELABORATE
        • QUESTION STARTS
        • SEE / THINK / WONDER
        • WHAT MAKES YOU SAY THAT?
        • THE EXPLANATION GAME
        • I USED TO THINK…, NOW I THINK…
        • HEADLINES
  • Blog
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